紅色的房間里的theatrical sorrow and grief, 白色裙擺間的distorted kinship and female intimacy. 伯格曼在漸明漸暗的紅色中構造(噩)夢,我竭力思考這其中是否有the space for further conceptual inquiry. No matter what,我反對將其作為某種poignant delineation of female relationship,因為它依然帶有系統(tǒng)性中的normativity,而缺乏進一步在自反中解讀死亡,身體,和the subtle queerness.